KBAQ Production Studio


Programs  Upcoming Recordings  Collaborative Projects  Contact Us    Staff Bios

Central Sound at Arizona PBS is the audio-media production division of Arizona PBS, located in the new digital media center in the Walter Cronkite School of Journalism and Mass Communication at and Arizona State University’s downtown Phoenix campus. Our productions can be heard on 89.5 KBAQ-FM, on DTV Channel 8.4 “Classical Arizona PBS,” as well as via the “Classical Arizona PBS” mobile app, available on iOS and Android.

Programs

Arizona Encore!
Showcasing Arizona’s Premier Performances
Broadcast every Tuesday at 7 p.m., Arizona Encore features professional caliber performances from throughout the state.

August 2

Singer Renee Fleming brings down the house with performances of classical vocal selections, opera, and Broadway favorites.

Mozart - Nehmt Meinen Dank
Handel - To Fleeting Pleasures
Handel - Endless Pleasure
Rachmaninov - Twilight
Dvorak - Songs My Mother Taught Me
Rachmaninov - Spring Waters
Canteloube - Bailero
Canteloube - Malurous qu'o uno fenno
Canteloube - La Delaissado
Delibes - Les Filles de Cadix
Strauss - Standchen
Wagner - Träume
Weill - Foolish Heart
Strauss/Korngold - Frag mich oft
Rogers and Hammerstein - Sound of Music
Puccini - O Mio Babbino Caro

August 9

Hear violinist Rachel Barton Pine perform selections from Paganini’s Caprices, as well as an interview with Rachel.

Paganini - Caprice 3
Paganini - Caprice 5
Paganini - Caprice 7
Paganini - Caprice 9
Paganini - Caprice 10
Paganini - Caprice 11
Paganini - Caprice 16
Paganini - Caprice 17
Paganini - Caprice 18
Paganini - Caprice 19
Paganini - Caprice 20
Paganini - Caprice 21
Paganini - Caprice 22
Paganini - Caprice 23
Paganini - Caprice 24

August 16

Enjoy Romantic works for violin and piano, featuring performances from the Red Rocks Music Festival and the Downtown Chamber Series.

Franck - Sonata in A Major for Violin and Piano, Op. 120
Mendelssohn - Piano trio in D Minor, Op. 49

August 23

Enjoy performances recorded in northern Arizona, with the Mack Sisters and the Catalyst String Quartet. Plus clarinetist Nikola Djurica is featured in a concert from the Red Rocks Music Festival.

Dvoràk - Bagatelles, Op. 47 - V. Poco Allegro
Anonymous - Klezmer Arrangement 3
Anonymous - Klezmer Arrangement 6
Golijov - Tenebrae
D'Rivera - Wapango
Piazzolla - Oblivion
Smetana - The Moldau
Brahms - Clarinet Quintet in B Minor, Op. 115

I. Allegro

August 30

Performances by Catalyst String Quartet, flutist Clare Hoffman, and more kick off a broadcast series highlighting the Grand Canyon Music Festival.

Beethoven - String Quartet No. 3 in D Major, Op. 18, No. 3

IV. Presto

Jacob - Four Fancies

I. Prelude
II. Gavotte
III. Incantation
IV. Folk Dance

Brahms - String Quartet No. 3 in B-flat Major, Op. 67

I. Vivace
II. Andante
III. Agitato (Allegretto non troppo)
IV. Poco Allegretto con Variazioni

Bach, J.C. - Quartet in D Major for Flute and Strings, Op. 20, No. 2

I. Allegro

ASU in Concert
ASU in Concert returns in September. Download the “Classical Arizona PBS” mobile app to enjoy previously aired broadcasts of performances by ASU students, faculty and guest artists.

The Phoenix Symphony
The Phoenix Symphony Central Sound at Arizona PBS has proudly partnered with The Phoenix Symphony to produce broadcasts of this world-class orchestra, including segments featuring symphony musicians. For more information about upcoming events and broadcasts please visit the symphony’s website or this page for future broadcast information.

Phoenix Symphony broadcasts are made possible in part by equipment provided by DTS, Incorporated. Broadcasts are presented in DTS Neural Surround™. This technology enables the broadcast team to deliver the performances in immersive surround sound, bringing the experience of sitting in the best seat of the Symphony Hall directly to listeners.

The Phoenix Symphony’s 2015-2016 season has concluded. Broadcasts will resume next spring. Download the “Classical Arizona PBS” mobile app for updates on broadcast and performance schedules.

To enjoy interviews with Phoenix Symphony musicians, click here.

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Licensed by: Rio Salado College & Arizona State University


 

Upcoming Recordings

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Central Sound at Arizona PBS is planning to record the following concerts for possible broadcast:

August 25
Grand Canyon Music Festival
7:30 p.m., Shrine of the Ages - Grand Canyon
http://grandcanyonmusicfest.org/august-25-2016/

August 26
Grand Canyon Music Festival
7:30 p.m., Shrine of the Ages - Grand Canyon
http://grandcanyonmusicfest.org/bonfiglio2016/

August 27
Grand Canyon Music Festival
7:30 p.m., Shrine of the Ages - Grand Canyon
http://grandcanyonmusicfest.org/bonfiglio2016/

 

Mission

Central Sound at Arizona PBS is dedicated to capturing classical and acoustic music performances of the highest professional caliber, taking special care to preserve the authenticity of the experience. As an award-winning premier provider of audio-media services, Central Sound is committed to serving as a central hub for notable musical events in the community, bringing concerts of internationally acclaimed artists, performances by leading ASU faculty and the next generation of young musicians to thousands of listeners. Striving for that quintessential sound, we produce numerous programs for local and national broadcast, including the airwaves of KBAQ-FM, Classical Arizona PBS, as well as exceptional television audio, featured on Arizona PBS and beyond.


Contact Us

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Central Sound at Arizona PBS continues to appreciate the generous support received from individuals and their companies or organizations through underwriting, planned giving and individual tax-deductible gifts in any amount. We bring classical music to the community through your contributions.

Please contact us to renew and continue your support, become one of our new friends, or with questions about Central Sound at Arizona PBS.


Email:
centralsound@asu.edu

Phone: 602-496-1164

Fax: 602-496-6050

Mail:
Central Sound at Arizona PBS
555 N Central Ave Suite 500
Phoenix AZ 85004

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Staff Bios

Alex Kosiorek, Manager

A published audio engineer, digital media producer and manager, Alex Kosiorek utilizes advanced production techniques to excel in project management. His multi-faceted expertise ranges from codec implementation (including online streaming, surround sound, and live broadcasting), the direction of short and long form productions, system design, production of multimedia applications, assurance of copyright compliance, as well as a conservatory-trained musician. Alex received degrees in music and audio recording from the Cleveland Institute of Music and Case Western Reserve University, in addition to continued graduate education in intellectual property and business from the University of Miami-Florida and Bowling Green State University to ensure compliance with legislation.

With many years of experience combined with a gaze toward the future, Alex remains at the forefront of the industry. His ground-breaking accomplishments include production of one of the first high-quality Internet streams (which received world-wide recognition), significant contribution to the creation of the first US radio station to commence 5.1 surround sound programming, and leadership of the first design team to complete the THX PM3 Certified Studio in a music conservatory worldwide.

Recognized throughout the professional community, Alex previously contributed to trade publications and developed presentations for Radio Magazine, the Audio Engineering Society, National Association of Broadcasters, and Technology for Music Education. Early highlights of Alex’s career include engineering for the former Radio Smithsonian and post producing the programs ‘Folkmasters’ and ‘Jazz Smithsonian.’ He began producing audio for broadcast for the 1996 Atlanta Summer Olympics. Other notable achievements include serving as senior engineer for the Cincinnati Symphony Orchestra, May Festival Chorus, New World Symphony, Cincinnati Opera and others. His production repertoire includes several commercial recordings for ensembles such as aforementioned in addition to the Cincinnati Ballet Orchestra, Vocal Arts Ensemble and many individual artists/groups of various genres. Formerly the Director of Recording Services for the Cleveland institute of Music and Senior Engineer of the Aspen Music Festival, Alex has produced thousands of hours of media content (including surround sound) for broadcast and online distribution. In addition to these positions, Alex regularly contracts as a professional independent engineer and consultant, and consistently ensures the success of projects from inception to conclusion.

 

Jeanne Barron, Producer

Jeanne Barron’s love for music developed at a very young age. She began playing the acoustic guitar at age 8. Her penchant for the engineering side of music developed through exposure to technical theatre as a member of her high school stage crew and participation in community theatre productions; it was a passion that would stay with her throughout her college years. While attending Arizona State University to receive both a B.A. in Music and a B.A. in Theatre, she was a member of the Sun Devil Marching Band as well as a sound designer for the Department of Theatre. After graduating, Jeanne continued her association with ASU including a position as audio engineer for the ASU Technology Based Learning and Research department, where she was responsible for the recording of location video shoots and audio post production editing. The recipient of two AriZoni awards for theatrical sound design, she was a theatre technician for both Gammage Auditorium and Rhino Staging. She continued her career in broadcasting as program director of Talk One Network, undertaking the production of nationally syndicated talk radio shows. In 2005, Jeanne returned to Arizona PBS in the Broadcast Operations department and has since joined Central Sound as the Producer of Audio Programming.

 

Eric Xu, Engineer

Eric Xu started out playing violin and recording his high school orchestras and jazz bands in his spare time. As a graduate of New York University with a B.M. in Music Technology, he apprenticed for tonmeister Leszek Wojcik at the Carnegie Hall Recording Studio as well as Radio City Music Hall. Afterwards, Leszek took him on as an engineer and he honed his skills working with Chamber Music Society at Lincoln Center, Metropolitan Opera, American Symphony, and many others. At the same time, he spent summers as a recording engineer at the Aspen Music Festival.

Eric later became audio and systems engineer at the Metropolitan Museum of Art’s Concerts & Lectures department, leading the audio crew in countless productions for some of the nation’s leading talents—including John Leventhal and Rosanne Cash, John Zorn, and Steve Reich. He now resides warmly in Phoenix, attending to his recording duties throughout the valley and the state.



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