From award-winning filmmaker Stanley Nelson ( Wounded Knee , Jonestown: The Life and Death of Peoples Temple , The Murder of Emmett Till ) comes Freedom Riders , the powerful, harrowing and ultimately inspirational story of six months in 1961 that changed America forever. From May until November 1961, more than 400 black and white Americans risked their lives—and many endured savage beatings and imprisonment—for simply traveling together on buses and trains as they journeyed through the Deep South. Deliberately violating Jim Crow laws, the Freedom Riders' belief in non-violent activism was sorely tested as mob violence and bitter racism greeted them along the way. Freedom Riders features testimony from a fascinating cast of central characters: the Riders themselves, state and federal government officials, and journalists who witnessed the rides firsthand. Produced, written and directed by Nelson, Freedom Riders premieres on American Experience on Monday, May 16, 2011 at 9 p.m. on Eight, Arizona PBS.
“I got up one morning in May and I said to my folks at home, ‘I won't
be back today because I'm a Freedom Rider.' It was like a wave or a wind
that you didn't know where it was coming from or where it was going,
but you knew you were supposed to be there.
Despite two earlier Supreme Court decisions that mandated the desegregation of interstate travel facilities, black Americans in 1961 continued to endure hostility and racism while traveling through the South. The newly inaugurated Kennedy administration, embroiled in the Cold War and worried about the nuclear threat, did little to address domestic civil rights.
“It became clear that the civil rights leaders had to do something desperate, something dramatic to get Kennedy's attention. That was the idea behind the Freedom Rides—to dare the federal government to do what it was supposed to do, and see if their constitutional rights would be protected by the Kennedy administration,” explains Raymond Arsenault, author of Freedom Riders: 1961 and the Struggle for Racial Justice , on which the film is partially based.
The self-proclaimed “Freedom Riders” came from all strata of American society—black and white, young and old, male and female, northern and southern. They embarked on the rides knowing the danger but firmly committed to the ideals of non-violent protest, aware that their actions could provoke a savage response but willing to put their lives on the line for the cause of justice.
Each time the Freedom Riders met violence and the campaign seemed doomed, new ways were found to sustain and even expand the movement. After Klansmen in Alabama set fire to an original Freedom Ride bus, student activists from Nashville organized a ride of their own. “We were past fear. If we were going to die, we were gonna die, but we can't stop,” recalls Rider Joan Trumpauer-Mulholland. “If one person falls, others take their place.”
Later, Mississippi officials locked up more than 300 Riders in the notorious Parchman State Penitentiary. Rather than weaken the Riders' resolve, the move only strengthened their determination. None of the obstacles placed in their path would weaken their commitment.
The Riders' journey was front-page news and the world was watching. After nearly five months of fighting, the federal government capitulated. On September 22, the Interstate Commerce Commission issued its order to end the segregation in bus and rail stations that had been in place for generations. “This was the first unambiguous victory in the long history of the civil rights movement. It finally said, ‘We can do this.' And it raised expectations across the board for greater victories in the future,” says Arsenault.
“The people that took a seat on these buses, that went to jail in Jackson, that went to Parchman, they were never the same. We had moments there to learn, to teach each other the way of nonviolence, the way of love, the way of peace. The Freedom Ride created an unbelievable sense: Yes, we will make it. Yes, we will survive. And that nothing, but nothing, was going to stop this movement,” recalls Congressman John Lewis, one of the original Riders.
Says director Stanley Nelson, “The lesson of the Freedom Rides is that great change can come from a few small steps taken by courageous people. And that sometimes to do any great thing, it's important that we step out alone.”
“ Freedom Riders tells the story of an overlooked piece of not only civil rights history but American history,” says Mark Samels, executive producer of American Experience . “It's a story that we knew had to be told. The film touches and inspires everyone who sees it and it's an honor to be presenting it.”
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Eight, Arizona PBS specializes in the education of children, in-depth news and public affairs, lifelong learning, and the celebration of arts and culture -- utilizing the power of noncommercial television, the Internet, educational outreach services, and community-based initiatives. The PBS station began broadcasting from the campus of Arizona State University on January 30, 1961. Now more than 80 percent of Arizonans receive the signal through a network of translators, cable and satellite systems. With more than 1 million viewers each week, Eight consistently ranks among the most-viewed public television stations per capita in the country. Arizonans provide more than 60 percent of the station's annual budget.
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