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With Michael Tobias and Travis Johnson
Producer/director Michael Tobias and videographer/editor Travis Johnson provide an insight into shooting with LeRoy DeJolie at the Navajo Nation Fair and at LeRoy's family ranch on the Navajo reservation
Production Challenges and Surprises
Robinson: Tell us a little bit about your experience of
making this segment. What have been the greatest challenges that
you faced?
Tobias: Without doubt, LeRoy DeJolie gives us a level of
access to another world that is forbidden, inaccessible to us adventurous
individuals who are holding a camera. You just can't march into
a foreign culture (which in fact is not fully not foreign, but is
the elemental culture of the United States), trespass into their
space and presume them to smile for the camera. That's just preposterous
and crude and it doesn't work. LeRoy, on the other hand, being a
Navajo himself and very sensitive to all cultures, wants to make
those bridges to further communication. And really, as a photographer,
as an artist, to enrich the possibilities for cross-cultural dialogue,
which he does magnificently. And that's what gives the participants
in this workshop, and us as film makers, a unique glimpse into the
intimate and emotional universe, in this instance, of the Navajo;
and of the Navajo Fair. So the challenge is to keep up with LeRoy,
but he's so accommodating and wants those contacts to be made at
a heartfelt level, that these photographers and our crew are getting
an incredible feast of imagery. That is not glossy imagery, but
truly in-depth imagery, coming out of real contacts that are being
made. LeRoy will go up to an elder, kneel down, speaking Navajo,
introduce himself, shake their hand, laugh, smile, undoubtedly discover
they have a cousin in common, and then ease that person into the
fact that, "Oh, and by the way, I'm traveling with a dozen friends
who are all photographers. You know, you're such a beautiful person,
would it be possible for us to take some pictures of you?" On that
basis, the Navajo that we've encountered, unilaterally, without
a single incident to the contrary, have smiled, opened up, and contrary
to the normal understanding, which is to photograph a Native American
is to steal a bit of their soul, have willingly given us their souls
for the camera. And it's only through LeRoy that that could happen.
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